Too Much Pop: Cold Start

Cizeta Moroder V16t Prototype Ts
ADVERTISEMENT

I believe that you can have too much of a good thing, and automobiles seem to prove out these beliefs on a regular bases. A cool exhaust note that sets your heart racing as you cruise down Woodward Avenue in Detroit might not move you to ecstasy if you try to drive a car with this sound for ten hours to the east coast. The fact that I’m constantly asking my coworkers “WHAT? WHAT?” is almost certainly indicative that I overdid it with the trunk-of-funk in my 220,000 mile Lincoln Town Car years ago.

Even one of my favorite 1980s staples can be overused or misused. “Say yes to pop-ups” is my mantra when it comes to headlamps, but when you go beyond a pair of these things, I start to question the logic. Did anyone even try that?

Well, of course they did! The 80s was the cocaine-fueled Miami Vice era, and no car summed up the times better than the Cizeta-Moroder V16T. If there was ever a car that appeared to be the result of putting “1980s, cocaine, supercar, Italian” into some AI application, this is it.

2

This outrageous sixteen-cylinder supercar was the brainchild of now-deceased former Lamborghini engineer and mechanic Claudio Zampoli. After establishing his own supercar repair business in California, he occasionally even serviced the much-abused vehicles of rock stars. If you want to see what Claudio looked and sounded like in the eighties, he’s “the mechanic” that appears as a consultant to Mr. Cabo Wabo in the first few minutes of the silly video below:

Screenshot (1372)

Giorgio Moroder was a Grammy-winning synthesizer whiz that owned a Countach which Zampoli serviced, and Moroder ended up providing Zampoli’s supercar fantasies with financial backing – at least until the two parted ways when Claudio rejected Moroder’s idea of using fiberglass bodies and BMW power to make the cars more producible and less over the top.

Screenshot (1352)

Cizeta Moroder V16t Prototype Photo Credit Patrick Ernzen Rm Sothebys 100822299 H
RM Sothebys

Possibly the most outrageous feature of the Cizeta’s Marcello Gandini-penned shape was the dual pairs of pop-up headlamps, the ultimate statement of excess for excess’ sake. What’s worse is that I’m not sure how these things might even work in terms of illumination.

1

Look at the views below. The upper set of lights are essentially blasting illumination onto the backs for the raised lower set of lights, throwing glare back at the driver and likely creating odd shadows and light patterns. I’d love to test one out, but with only around fourteen produced that would be a tough task to accomplish.

Cizeta Moroder V16t Prototype Photo Credit Patrick Ernzen Rm Sothebys 100822290 H

Screenshot (1353)

This is a pop-up too far. Note that Marcello Gandini did not include this detail on his rather similar-looking Lamborghini Diablo that was released around the same time; it had just one pair of good ol’ horizontal retractable lights (later famously replaced with exposed, fixed-position Nissan Z32 300ZX units).

Screenshot (1371)
Bring A Trailer

Two-tier pop-ups is an absurd idea. Pure 1980s excess. Moroder made the soundtrack for the film Scarface, and this overabundance of retractable lights is the automotive equivalent of the scene near the end of that movie where Al Pacino has a pile of cocaine on his desk bigger than Peter Brady’s volcano model that sprayed lava on all of the popular girls. Is it any surprise that Cizeta motorcars went the same way as Tony Montana?

About the Author

View All My Posts

38 thoughts on “Too Much Pop: Cold Start

  1. What’s funny is the Cizeta V16T was originally supposed to be the Diablo, and the dual popups are one of three reasons why it was passed on. The other two being the proposed and costly V16 in place of the V12 Lamborghini was already using, and the pain in the ass of fitting that V16 somewhere that didn’t ruin the car’s handling. The side profiles of both cars are nearly identical with that very distinctive window droop that slams into a dead stop on the contour of the front wheel arch anchoring the very very short nose and “You Must Be This Tall To Ride” indignant windshield.

    If the V16T wasn’t some one-off and was the actual Diablo I wonder how it would have fared in pop culture and automotive enthusiast circles? Then again if the V16T actually went into production as the Diablo I’m pretty sure Lamborghini wouldn’t exist right now because Chrysler would have bailed the moment they saw the manufacturing costs during the ’89 recession.

  2. I liked the pop-ups on my ’86 MR2 with wing. They did not fail during the 17 years I owned the car (in northern CA). But that was then…

  3. I don’t get the love for pop-ups. Lots of unnecessary weight right up in the nose of the car. An extra complexity that can and will break. They had their place, and I’m glad they’re gone.

    That being said, they really worked for this era of car design, provided you’re not strictly because-racecaring your car. The 944 looks better than the 968, for example. I yanked out my pop-ups to race before I decided to do some night racing and get it road-legal, but they’re a pretty integral part of that wedge shape. If you’re designing cocaine in vehicle form, form-over-function complexity is a feature, not a bug. This car’s two-tiered lights are silly, excessive and perfect.

  4. The double pop ups might be the most distinctive part of the design(the yuge vents might be too) but the craziest part of the whole car is definitely the twin Lamborghini v8s back to back and outputting power from between them.

    1. I read that the clutch was burned out in the 512BB during the filming, which Claudio replaced to the tune of $5800 in 1984 dollars. Even adjusted for inflation actually doesn’t seem that bad compared to what a Ferrari main dealer might charge.

      Supposedly Hagar still owns the 512 with some ungodly number of miles on the clock for the Ferrari- good on him.

      1. So much awesomeness going on in that ad. I’m assuming that drivetrain came from a Renault Dauphine/Ondine, but I love that it ended up powering that deathtrap.

        1. I grew up on the Oregon coast in more or less the middle of the Oregon Dunes National Recreation Area so I remember seeing similarly deathtrappy homemade dune buggies based on air-cooled VWs and occasionally Corvairs back in the 1970s but never a Renault. I find it to be admirable.

          1. I must say the almost complete lack of regulation on what you can do with a car – or bits of cars – is one of the things I envy the most about the USA. I am generally for regulation, but when it comes to car modding it’s almost draconian here in the EU. Where I’m from, drivetrain swaps for anything other than factory-spec aren’t even legal, nevermind trying to get a homemade buggy road-legal.

  5. If there was ever a car that appeared to be the result of putting “1980s, cocaine, supercar, Italian” into some AI application, this is it.

    I tried that, and it generated the following:

    https://

    imgur.com/cWBVUCi

    imgur.com/Rr0VA32

    imgur.com/xrkBZCw

    The question is, would Dr. Rockso approve?

    youtube.com/watch?v=dbJABjVH-0k

    youtube.com/watch?v=lUh2EYX-RPE

  6. Yes. With the engine engine in the centre/back and that quite wide empty front (probably has some cooling and a brake servo down there) they could just have put them side by side! Would also have looked cool.

      1. Oh, but it DOES have the Fiat Ritmo / Renault Twingo / Citroën SM asymmetric vent in one side of the hood, above the popups. How very european! 😀

Leave a Reply